I look at the photos sometimes. I always leave them thinking, ‘Why do you do it? Why do you return?’ They’re always together, the beginning and the end.
So much time at a computer manipulating synthesized sounds acclimatises you to finely tuned rattles and rings. Synths, unrealistic horns, compressed hi-hats, deep 808s.
The driveway connecting our house to the street had been tar-sealed once, but the weight of Dad’s work ute, heavy with concrete and/or machines that cut and hammered and welded,…